NEW YORK — Ma-Yi Theater Company is thrilled to announce a two-year residency for playwright Jesse Jae Hoon, supported by the Creatives Rebuild New York (CRNY) Artist Employment Program (AEP), a project of the Tides Center. A freshly minted graduate of Hunter College’s MFA Playwriting Program, Jesse will work on writing projects that combine his passion for social & economic justice activism and telling stories that center Asian American experiences. Ma-Yi Theater Company will receive funds to support the collaboration, including artists’ salaries and benefits.
Designed to support employment opportunities for artists, the program is funding 98 collaborations involving a dynamic group of 300 artists employed by community-based organizations, municipalities, and tribal governments across New York State. CRNY has awarded a total of $49.9M in funding to support artists’ salaries and benefits, with an additional $11.7M in funding provided to the organizations holding employment.
“If we are to truly rebuild our amazing state, we must celebrate artists’ contributions not only to the economy but to what makes us human,” says Creatives Rebuild New York's Executive Director Sarah Calderon. “The incredible work being funded through CRNY’s Artist Employment Program underscores the importance of direct support for both individual artists and the organizations that hold their employment.”
Artist Employment Program recipients were selected through a two-stage process by a group of twenty external peer reviewers alongside CRNY staff. From an initial pool of over 2,700 written applications, 167 were shortlisted for interviews with reviewers. To view the list of 98 Artist Employment Program participants, visit https://www.creativesrebuildny.org/participants/.
For more information about Creatives Rebuild New York’s Artist Employment Program, please visit creativesrebuildny.org.
Ma-Yi Theater Company was founded in 1989 for the production and development of new plays and performance work discussing and engaging with the Filipino American experience. In 1998, responding to the growing need for a developmental venue for Pan-Asian American texts, Ma-Yi expanded its mission to include works by Asian American playwrights of all ethnicities and origins. Its numerous acclaimed productions include Lloyd Suh’s The Chinese Lady, Haruna Lee’s Suicide Forest, Mike Lew’s Teenage Dick, Qui Nguyen’s The Inexplicable Redemption of Agent G, Hansol Jung’s Wolf Play, and Lonnie Carter’s The Romance of Magno Rubio. In the wake of the COVID-19 pandemic, Ma-Yi pivoted to the creation and production of digital content from Asian American artists to keep members of the community employed – this endeavor was known as Ma-Yi Studios. Ma-Yi Theater Company’s works have won a total of 10 Obie Awards, 3 Lucille Lortel Awards, an Off-Broadway Alliance Award, a Richard Rodgers Award, a Drama Desk nomination for Best Play, numerous Henry Hewes Design Award nominations, and in May 2010, a special Drama Desk award for “more than two decades of excellence and for nurturing Asian American voices in stylistically varied and engaging theatre.” Ma-Yi Theater Company is currently under the leadership of Producing Artistic Director Ralph B. Peña. For more information, visit Ma-YiTheatre.org.